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Barry Guy @ All About Jazz
This mammoth double-CD recording of the London Jazz Composer's Orchestra , led and composed by bassist Barry Guy , is among the most profound, hard-swinging, mind-bending exercises they've ever recorded. Guy 's compositions for orchestra though they are presented here as one composition in parts run the gamut from lush, tightly charted affairs with sweeping strings and horn lines, to dense atonal architectures with angular solos by any number of players improvising simultaneously, to sweeping, pastoral works that are in essence meditations in music for the cinema: There are the noirish, punched-up bluesy horn lines, the drooping timbres of the rhythm section playing mute against the reeds, and the anthemic swells of the entire band pushing the limits of both overtonal and harmonic conventions. After two-plus hours, what it all amounts to is a metalinguistic code written and deciphered by Guy and his musicians. Guy 's approach seems to suggest that he does feel there is no new language for Western music, but there are an infinite number of syntaxes and utterances within it that are available to anyone disciplined enough to look -- or listen -- for them.
Barry Guy: Ploughs into Swordshares (Part 1)
His range of interests encompasses early music , contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He also taught at Guildhall School of Music. Born in London, Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley Witherden, He also became an occasional member of John Stevens ' ensembles in the s and s, including the Spontaneous Music Ensemble.
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